A group of six unlikely but doughty kids confront the path of a vast and fearsome otherworldly darkness that has entered our world from the farthest reaches of oblivion. They must spend their lifetimes confronting it, experiencing one nightmare after another in the struggle.
This is the plot, in essence, of Stephen King’s iconic book It (a standout in his career; undeniable). It similarly frames of King’s son Joe Hill’s new chilling tome, in which a close-knit group invoke the age-old, utterly malevolent beast King Sorrow from the Abyssal Void to help them defeat some villains. Needless to say, their supernatural ritual goes awry.
The author started his career striving diligently to remain separate from his famous father, using the pseudonym he still uses today and avoiding meeting his agent (he possesses a uncanny likeness to his dad). Yet with this recent release, he embraces it. There are lines that intentionally mirror some of King’s most famous (that classic opening line); a moment that evokes a recurring theme in King’s works (a battle of wits). Throughout this massive book, Joe Hill takes pleasure in his lineage, and the audience revels alongside.
Focusing on the companions: the majority are scholars at the made-up this academic setting in Maine. First is Arthur, studious and brilliant, deciphering ancient puzzles in his spare time; another key figure, affluent, astute, and prone to trampling those who oppose him; the twin siblings; the stunning Allie herself. And there’s Gwen, who doesn’t study with them, but assumes a vital role of their group as they experiment, half believing, partly skeptical, in the occult.
Our hero becomes, as a result of external pressures, forced into stealing rare books from his cherished academic collection by a bunch of local criminals. This tears at his bookish heart, especially when he’s forced to acquire the collection’s foremost and chilling title: the journal of adept this enigmatic character (put to death “for conspiring with dark forces in 1703”; the cover is made from his skin). Our Scooby gang peruse the diary, realize they are able to call forth what the occultist details as a cunning serpent to aid our hero with his blackmail problem – and devote the remaining story facing the fallout. This ancient entity will certainly eliminate those problematic neighborhood criminals, but they are required to pick a different victim every twelve months or fall prey to the beast. As Arthur later puts it: “You plant seeds of destruction, all you get is additional horrors.”
Covering a generation, Joe Hill transitions with natural fluency across narrative styles: as the companions endeavor to address the predicament they find themselves in by, in different ways, choosing undeniably wicked targets to sacrifice, or searching for methods to slay the beast themselves, we move between thriller to grim fantasy, black-ops torture to love story to terror. My favorite genre switch was to a quest story, far beneath the surface under the English county, a part sprinkled with JRR Tolkien that was gloriously terrifying.
The novel features trolls – the classic variety and internet antagonists, properly scary and superbly depicted. The story includes mystic weapons and deceptions, heart-stopping scenes of bravery and instances of dreadful evil, both earthly and supernatural. It stands as a masterpiece: a horror novel that is above all a tribute to the creative spirit, and to love and friendship. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the companions sit around the table, making preparations to call forth their beast to life with the strength of their collective will.
In the author’s own words in his introductory quote: “This is dragon territory”. Ensure you experience it.
A tech strategist and writer passionate about digital transformation and emerging technologies.