In a recent appearance, star Jude Law stated he had no concerns about backlash for portraying the Russian leader in a cinematic adaptation. This production, though, could coincide too neatly with the carefully constructed version circulated by Russian state media that, within Russia, it reads as a compliment instead of a critique.
For years, the Kremlin and the country's entertainment industry have collaborated to craft a made-to-measure persona of the president. This figure is an infallible strategist devoid of flaws, a former spy reimagined as a Russian James Bond who consistently understands more than he reveals.
“In Russia, the manufactured Putin has long overshadowed the real one.”
One recent example is a TV series released last October, helmed by a Kremlin supporter. Its main character is a invented security officer inexplicably chosen to “save” Russia from chaos. While the character's name a different name, the implication is unmistakable: the hero must be a familiar security officer.
International depictions often end up buttressing this identical story instead of undercutting it. An adaptation inspired by a popular book aims to undermine the Putin cult by framing him not as a cause but as a symptom, shifting the narrative weight to the political machinery surrounding him.
In the film, the president is shown as having been chosen by influential figures to stabilise the nation because he is “a fit former intelligence agent”. They visit him and practically plead him to become president. He replies is that he would rather govern from the shadows, seeking enduring influence.
This tale is a key piece of state propaganda: the detached, unwilling mastermind shaped by destiny. In reality, these events ever happened.
No one actually pleaded with him to take the job. The presidency was in essence a selection process with no shortage of contenders. At the centre to this process stood a powerful businessman from the previous administration who expected to run the country in practice.
“The goal wasn't a powerful leader, they needed someone malleable, someone who would follow instructions.”
Experts agree that the image of Putin as a master operative was constructed retrospectively. Stories about his “recruitment work” in Dresden fall apart under examination. Fundamentally, he was an administrator and routine duties, a low-level clerk not engaged in actual agent work.
Interestingly, the shift to framing him as a “spy” could partly have been triggered by Daniel Craig’s debut as 007. The grittier interpretation prompted local outlets and online audiences to make comparisons with Putin. Edited images replacing Craig’s face with Putin’s appeared on Moscow streets, fueling the growing tendency to frame him as a local secret agent.
Given the casting, an actor well-liked by Russian audiences, the Kremlin will not miss the chance to portray this choice as a small victory. Its omission of public dissent, the opposition, or prominent activists in the story, despite covering recent years, is a pleasant bonus for state propaganda.
Domestically, Putin is frequently an all-powerful presence who never appears directly. He is signaled through photographs or orders from on high. In this new film, he at last gets a recognizable face—one that could unintentionally validate the very myths it perhaps aims to question.
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